January 15, 1939 - April 4, 1968
Eric Jerome Dickey. Three names that we all know and love. He was kind enough to take time from his current book tour ("Tempted by Trouble") to answer a few questions regarding his work.
First of all, you are one of my favorite authors, and certainly one of the most gifted writers of our time. You have really switched your game up. I think it’s fair to say that early in your writing career, you were kind of considered the “Male version of Terry McMillan.” You are so not that person. Your range is amazing. I loved, loved, loved “Tempted by Trouble.” I could have read it without putting it down. And, I love the way your books have become so “multi-cultural.” Is there a reason that you don’t tell the reader Dmytrk Knight’s nationality?
EJD: It never really mattered to me. It was about a man, his values and how his moral compass, due to desperation and encouragement from his wife, goes to the crossroads to meet with the devil.
Where did you learn so much about robbing banks? I was on the edge of my seat. Did you actually interview bank robbers as part of the research for this book?
EJD: I read a lot of noir. I watch a lot of noir. And there has always been many bank robberies across the US, many posted on YouTube and are also in all of the local papers.
I loved the way Dmytrk referred to and idolized his late father, Henrick. Did you draw from your own experiences with your father?
EJD: Nope. Made it up.
What does your writing process involve (i.e. do you get up early and write, write at night, use a computer or write long-hand) (yes, believe it or not, some writers still do write long-hand)? Do you set limits on yourself (I will write 50 pages today)?
EJD: No limits. It’s about quality over quantity. I’d rather have four tight pages over two days than 20 sloppy ones. I work a scene at a time, a chapter at a time. Writing a book is not a race. It’s a journey.
This book had so many twists and turns, moved so quickly and was so well written. Did you know where you were going to end up or were you on the ride just like Dmytryk?
EJD: I leave myself open to all possibilities; it's playing "what if?" from top to bottom. I've studied at UCLA and Cal Poly Pomona and with the IBWA/LA, so I see writing as a craft and I try to work it from that angle. Each book is a project. Never personal.
Do you think that the economic times we are facing and have faced the last few years could actually change people as much as it changed Dmytryk and Cora? Did you meet people who had been reduced to a life of crime due to their own life circumstances (loss of jobs, homes, etc.)
EJD: Anything is possible. I've seen news reports where a Caucasian single mother actually robbed a bank. Desperation has to modify us all. Simply watch the news. It's there. Crime is up and home robberies are up and jobs are down... reduced to crime? People do what they have to do to survive. It's more of a tragic circumstance, one that exists in every country that I've visited, and a bad economy only exasperates what's already in the mix because the haves lose what they have and end up standing shoulder to shoulder with the have nots. Poverty is nothing new. Nor is the art of survival.
Dmytryk was, of course, multilingual. How many languages do you speak?
EJD: English. Understand some Ebonics.
Please, please – will Dmytryk be back?
EJD: No idea.
Being a "fly on the wall" is a phrase of somewhat precise meaning.
The phrase is researched to have originated in the 1920s. The first citation of it is found from The Oakland Tribune, February 1921: "I'd just love to be a fly on the wall when the Right Man comes along."
It is now most often used in relation to the "fly on the wall documentaries,' which chronicle real life situations supposedly made without impacting the behavior of the participants. I take exception, finding flies to be most annoying, buzzing around all day and landing where they are unwanted.
However, in this event, David Katz was a most welcomed fly on the wall to the meteoric rise and triumphant presidency of Barack Obama. It may be known that a fly has the most advanced and sensitive eyesight that catches light and movement instinctively.
As shown within these pages, Barack Obama proved to be that intense light and Katz's photographs instinctively captured various facets of Obama's life from bonding with family and friends through campaigning and eventually the Presidency.
Technically, "Barack Before Obama" is an extremely polished publication with brilliant photographs, capturing President Obama in his most magnetic and favorable light. This is a must have for the politically inclined and Obama fans alike.
Q: Are there any names of memorable fans who possibly traveled to jazz clubs across the nation?
JG: Unfortunately we don’t know anything specific about the people in the souvenir photos, but we do have pictures in the book of fans posing with Charlie Parker, Louis Armstrong, Oscar Peterson, Art Blakey, Duke Ellington, and others. Sonny Rollins told me it was a regular thing to ask performers to pose with them for a souvenir photo. It struck me this is the primordial version of today’s celebrity selfie, and I can’t think of any situation before that where people would be asking celebrities to pose for a photo.
Q: Has there been any follow-up as to what happened to the jazz establishments are they still standing? If so, are they used for different purposes?
JG: Virtually all of the clubs I write about are long gone; the big exceptions being the Village Vanguard and the Apollo, both of which opened in New York during the mid-1930s. Some of the concert halls still exist, but for the most part these clubs are long gone. In some cases they’ve been torn down, in others the buildings still exist. But these photos do bring alive a long gone scene.
Q: Why kinds of ancillary businesses were given rise in the 40s and 50s from the jazz clubs?
JG: As I talk about in the book, one really important thing that spread the word from the clubs was live radio broadcasts. Radio was just starting to become widespread in the 1920s, and live broadcasts on national networks from the Cotton Club helped NY based musicians including Cab Calloway, Duke Ellington and Louis Armstrong gain national profiles, which allowed them to get more lucrative record contracts (and sell records nationally) and tour the country. These broadcasts also sold tickets and records locally.
Q: Did all the jazz players do the total tour from east to west or did certain jazz players opt to stay on the West Coast or East Coast?
JG: The musicians I spoke to told me they were happy to play anywhere people would book them. Sometimes musicians would tour with their groups, sometimes they would tour as a ‘feature’, which meant people like Billie Holiday might travel with her pianist, but each club would book backup musicians. That’s the way Quincy Jones started playing with bigger artists, while only a teen in Seattle—his band could read music, so they were hired to back up major artists including Billie.
Q: Who are your favorite jazz artists today?
JG: My current favorite is Jason Moran, who I interviewed for the book; his music is contemporary, but he’s greatly informed by the music of the past, and it works its way into his music in very creative ways.
“Sittin’ In” by Jeff Gold, from Harper Design is a book that demands to be deeply examined, several times.
It is not a biographical piece nor a simple historical account. This book needs to be absorbed in a read and re-read fashion to appreciate the vibe and feel of Jazz in its prime.
Each time I picked up this book and moved from East to West, I found threads that became interconnected. The Musicians, Fans and Clubs reflected here gave evidence that there was a nucleus from which all Jazz grew and swept the Country. The 1940s and 1950s were truly an intense time for Jazz Clubs and their patronage. “Sittin' In” gives you the, fly-on-the-wall experience of the glory days of Jazz. I also don’t see this as other Coffee Table books to sit a gather dust. This one, once opened beckons for another look each time you put it down. For myself, I saw fan pics that I would swear were Aunts, Uncles or friends of my Dad, especially from the scenes on the West Coast. If you think you know Jazz, here’s your evidence.
Let yourself be that fly and feel a little toe tap throughout all 249 pages.
November 3 is less than two weeks ago.
I don't need to tell you how many people gave their lives so that you could have the right to vote.
I don't need to tell you that this is probably one of the most important, if not the most important elections of our lifetime.
While you may not agree with everything Joe Biden has done or said, the other guy is really not an option for us.
Kamala Harris would be the first Black woman Vice-President in this country's history.
If you've already voted, that's great. Grab a friend or a neighbor, an elderly relative and make sure they get to exercise their rights too.
Do it for yourself, do it for your family, do it for your community, do it for our country.
Vote this year like your life depends on it, because it does.
I hardly know what to say about the untimely passing of Chad Boseman.
While he is most famously remembered for playing T'Challa in "Black Panther," I fell in love with the actor when I saw him in "42."
His range was amazing. He played Jackie Robinson in a way that made me feel like I had met the real Jackie Robinson when I left the theater, he brought James Brown to life in "Get On Up" and gave us another award winning performance as Thurgood Marshall in "Marshall."
I don't need to reiterate the things we've all read and heard since we received the sad news of his passing. It's very hard to say goodbye to someone we all felt like we knew personally. Although, we really didn't. He felt like family.
It's even harder thinking of how much he was going through these past four years and yet he did it all in silence and grace.
Wakanda Forever.